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What does the art of painting still mean in today? That is a question that occupies Vincent Geyskens and that he explores in his diverse oeuvre. When we look at images, we look for connections with our world, with the reality we know. Vincent plays with these expectations of images and painting: what do images mean to us, what role do surfaces and paint play in how we read and analyse an image, what links do we make with images we encounter in our everyday life? For the artist, painting is a way of making thoughts concrete and matter visible. His work challenges you, the viewer. Vincent Geyskens uses figurative and abstract elements interchangeably and experiments with different types of surfaces. These range from paper to plastic, from canvas to objects he has found, and in this way he explores the limits and possibilities of the chosen surfaces. Exhibition: Museum M, Leuven, Belgium (27.05.-09.09.2021).
Painting --- easel paintings [paintings by form] --- Geyskens, Vincent --- 75.07 --- Belgische kunstenaars --- Schilderkunst ; schilders A-Z --- still lifes
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"Warm company on a dreary day" - Inspired by painting, cinema and his own neighbourhood, Pieter Jennes is the creator of a highly unique oeuvre. His very recognisable personal style draws on the work of Flemish painters from the 1920s, such as Jean Brusselmans and Gustave De Smet, but also Ensor, Otto Dix or Georg Grosz, African masks and folklore, the cinema of David Lynch and Werner Herzog. While his work is clearly rooted in the history of painting, it is equally clear that it is made in the present - note the disposable Starbucks coffee cup, the sign on a shop door that reads mondmasker verplicht ('face mask obligatory'), the pair of Adidas socks, the ad for Ola-brand ice creams." From 'Bittersweet theatre on canvas', Jozefien Van Beek
kunst --- Jennes Pieter --- België --- schilderkunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 75.071 JENNES --- Jennes, Pieter --- Art --- Painting, Belgian --- Painting, Flemish --- mixed media works --- pencils [drawing and writing equipment] --- tekentechnieken --- 75.07 --- Schilderkunst ; schilders A-Z
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"Phoebe Hoban's definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women's suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon. Alice Neel's stated goal was to "capture the zeitgeist." Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time. Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population-from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Shapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights and feminist movements-producing an indelible portrait of twentieth-century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York. In this first paperback edition of the authoritative biography of Alice Neel, which serves also as a cultural history of twentieth-century New York, the author Phoebe Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait of the artist as incisive as Neel's relentlessly honest paintings. With a new introduction by Hoban that explores Neel's enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America's foremost artists"--
Women artists --- Women painters --- Painters --- 75.07 --- Neel, Alice 1900-1984 (°Merion Square, Pennsylvania, Verenigde Staten) --- Schilderkunst ; 20ste eeuw ; Alice Neel --- Biografieën ; Alice Neel --- Vrouwelijke kunstenaars --- Schilderkunst ; schilders A-Z --- Neel, Alice, --- Painting --- Neel, Alice
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De Belgische kunstenaar Koen Broucke (°1965) publiceert sinds 2013 regelmatig een schilderij of tekening op sociale media. Bij deze beelden schrijft hij gedachten over zijn werk, zijn bezigheden, zorgen en vreugden. Er zijn bespiegelingen bij de tijdgeest, reisnotities, literaire commentaren, herinneringen en observaties. Vooral na ingrijpende gebeurtenissen zoals de aanslagen in Brussel of het uitbreken van de pandemie wordt de urgentie groter om over de wereld na te denken. Dit boek bundelt een selectie van die geschilderde 'dagboekfragmenten' verzameld en aangevuld met nooit eerder gepubliceerd materiaal.
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Walter Swennen is one of Belgium's foremost contemporary painters. 'Too Many Words' brings together all the paintings made between 2017 and 2020, and five recent essays and interviews written by Hans Theys. As such, this publication follows the book 'Hic Haec Hoc' (2016), which reproduced all of Swennen's paintings made between 2013 and 2016.0'Too Many Words' also contains correspondence, interviews, artist writings, and drawings from the same period, many of which have not been published before, as well as a selection of recently rediscovered older paintings.00Exhibition: Xavier Hufkens Galerie, Brussels, Belgium (27.01.-27.02.2021).
kunst --- 75.071 SWENNEN --- Swennen Walter --- België --- woord en beeld --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- Exhibitions --- Painting --- Contemporary [style of art] --- painters [artists] --- Swennen, Walter --- Swennen, Walter, --- 75.07 --- Swennen, Walter °1946 (°Brussel, België) --- Schilderkunst ; 1ste helft 21ste eeuw ; Walter Swennen --- Beeld en woord ; beeld en tekst --- Belgische kunstenaars --- Schilderkunst--schilders --- Swennen, Walter, - 1946 --- -Swennen, Walter --- Art, Modern --- Painting, Belgian --- -Painting
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Kunstenaar Stefaan De Croock (1982), alias Strook, gooit internationaal hoge ogen met zijn gelaagde collages, sculpturen en installaties. Zijn centrale thema kan teruggebracht worden tot ‘tijd’, en dat is zichtbaar in de ruwe, gepatineerde grondstoffen die hij kiest voor zijn werken. Heel vaak is dat hout. “Oude, verweerde materialen hebben in mijn ogen iets magisch. Er gaat een bepaalde spontaniteit van uit die onmogelijk te recreëren is. De kleuren, de verf, het reliëf… Ze vormen een afdruk van alles wat het materiaal ooit doorstaan heeft. Je kunt de tijd echt zien.” Dit boek is een eerste introductie tot zijn oeuvre en biedt een fascinerende kijk op zijn kunstenaarspraktijk van de afgelopen jaren. Met teksten van Thijs Demeulemeester en een bijdrage van Wannes Cappelle, Koen Van Damme en Stephan Vanfleteren. In het kader van ‘Mind the Artist’ van Musea Brugge zal werk van Strook te zien zijn van 30 oktober 2021 tot 6 maart 2022 op drie historische locaties in de stad: het Groeningemuseum, de Onze-Lieve-Vrouwekerk en de zolder van het Sint-Janshospitaal.
Art --- street art --- recycling --- bricolage [works] --- portraits --- environments [sculpture] --- Strook --- 7.07 --- 73.07 --- 75.07 --- Strook (pseudoniem van Stefaan De Croock) °1982 --- Belgische kunstenaars --- Oud-studenten ; Sint-Lucas ; Gent ; Beeldende Kunst --- Portretten --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Schilderkunst ; schilders A-Z --- De Croock, Stefaan,
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Large monograph about the Belgian artist Johan Muyle linked to his major solo show at MAC's Grand-Hornu. The book will comprise an important text going through the different aspects of Johan Muyle's work and show an important number of pictures, even some works by the artist that have never been shown until now. It will be the first encyclopedic book around his work.00Exhibition: MACS, Grand-Hornu, Belgium (29.11.2020 - 18.04.2021).
Muyle, Johan --- Exhibitons --- Art --- assemblages [sculpture] --- installations [visual works] --- Kinetic [style] --- easel paintings [paintings by form] --- texts [documents] --- narrative art --- motors --- kunst --- 7.071 MUYLE --- beeldhouwkunst --- België --- assemblages --- collages --- eenentwintigste eeuw --- installaties --- Muyle Johan --- Exhibitions --- Sculpture, Belgian. --- Installations (Art) --- Exhibitions. --- 7.07 --- 73.07 --- 75.07 --- Belgische kunstenaars --- Installaties --- Muylle, Johan °1956 (°Charleroi, België) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Schilderkunst ; schilders A-Z --- Kinetic Art --- paintings [visual works]
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The year 2021 marks the 100th anniversary of Roger Raveel's birth, an ideal opportunity for the Center for Fine Arts (BOZAR) in Brussels to look back on the extensive oeuvre of one of Belgium's most important painters of the second half of the twentieth century.
kunst --- 75.071 RAVEEL --- 7.071 RAVEEL --- performance --- performances --- installaties --- grafiek --- schilderkunst --- België --- twintigste eeuw --- Raveel Roger --- 75.07 --- Exhibitions --- Raveel, Roger 1921-2013 (°Machelen-aan-de-Leie, België) --- Nieuwe Figuratie --- Nieuwe Realisten --- Environments --- Belgische kunstenaars --- Schilderkunst ; schilders A-Z --- Painting --- Raveel, Roger --- Raveel, Roger, --- Painting, Belgian --- figurative art --- Abstract Expressionist --- 790 --- Belgique peinture --- België schilderkunst --- kunstenaars --- artistes --- Raveel, Roger, - 1921-2013 - Exhibitions --- Raveel, Roger, - 1921-2013 --- Raveel, Roger.
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In this thorough critical appraisal, 16 specialists on modern art, art history, philosophy and religious studies examine the unique art, the cultural circumstances and art-historical positioning of Swedish abstractionist Hilma af Klint. Topics explored here range from early abstract art and the impact of Darwinism to Goethe's color theory, as well as the importance of occult religious movements such as theosophy and anthroposophy that influenced the early modernists, and discussions of af Klint's own personal diary notes and research. The book is based on the seminars that were held in conjunction with the exhibition "Hilma af Klint: A Pioneer of Abstraction" in 2013. This extremely successful exhibition attracted a record number of visitors to the Moderna Museet in Stockholm, after which it continued to the Hamburger Bahnhof Museum in Berlin and the Louisiana Museum of Modern Art in Denmark.
Art, Swedish --- Swedish art --- Klint, Hilma af, --- Af Klint, Hilma, --- Influence --- Criticism and interpretation. --- Art --- Abstract [fine arts style] --- abstracte kunst --- Klint, Hilma A.F. --- #breakthecanon --- 75.07 --- Klint, Hilma af 1862-1944 (°Solna, Zweden) --- Vrouwelijke kunstenaars --- Abstracte schilderkunst ; biomorfisme --- Thema's in de kunst : mystiek en spiritualiteit --- Kunst en esoterie ; het occulte --- Antroposofie --- Theosofie --- Schilderkunst ; schilders A-Z --- af Klint, Hilma --- Abstract [modern European style]
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"Henry van de Velde (1863-1957) is considered one of the pioneers of modern architecture: he is world-famous for his beautiful buildings, furniture, utensils and typographical creations. Van de Velde, however, is much less well-known as a painter and draughtsman. Nevertheless, he had a lot of talent, especially as a draughtsman: his drawings bear witness to great originality and sincerity. Ten years after his training at the Royal Academy of Fine Arts in Antwerp from 1880 to 1883, Van de Velde exchanged painting for the applied arts and architecture, fields in which he would build a brilliant career. His enormous output in the architectural field ensures that there is little interest in his painting work ? that attention only comes much later. Most of Van de Velde's pencil drawings and pastels were made in Wechelderzande a small village in the Kempen , in Kalmthout and in Knokke-Heist. He also drew landscapes in Weimar and South Tyrol. Despite the large number of exhibitions devoted to Henry van de Velde, few paid sufficient attention to his paintings and drawings. It was only after his death in 1957 that interest in his creations as a painter emerged. This English-language catalogue of his works with a trilingual introduction by Xavier Tricot, author of the catalogues of James Ensor's paintings and of Fernand Khnopff's and Léon Spilliaert's prints outlines Henry van de Velde's fascinating career as a painter and gifted draughtsman on the basis of some 60 paintings and 230 drawings. Compiled by Ronny Van de Velde, with an introduction by Xavier Tricot." --AbeBooks web site, viewed 10/11/21
Graphic arts --- Velde, Van de, Henry --- Architects as artists --- Architectes artistes --- Velde, Henry van de, --- Exhibitions. --- Painting, Belgian --- Drawing, Belgian --- Peinture belge --- Dessin belge --- 75.07 --- 741.07 --- 76.07 --- Schilderkunst ; 2de helft 19de en 20ste eeuw ; H. van de Velde --- Van de Velde, Henry 1863-1957 (°Antwerpen, België) --- Catalogues raisonnés --- Schilderkunst ; schilders A-Z --- Tekenkunst ; tekenkunstenaars A - Z --- Grafische kunst ; grafische kunstenaars A-Z --- Velde, Henri van de, --- Van de Velde, Henry, --- Verudo, Van do, --- Velde, Henricus Clementinus van de, --- Exhibitions --- Drawing --- Painting --- drawings [visual works] --- easel paintings [paintings by form] --- Velde, Henry van de --- Van de Velde, Henry --- Van de Velde, Henry, 1863-1957 --- Tentoonstellingen --- Catalogi --- Van de Velde, Henry.
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